Roy Lichtenstein
Roy Lichtenstein
Hover to zoom
Roy Lichtenstein
Roy Lichtenstein

Salute to Airmail

5 1/2 x 3 1/2 x 1 1/2 inches
Roy Lichtenstein

Salute to Airmail, 1968

(RLCR 1637)
solid silver Multiple with plexiglas base
5 1/2 x 3 1/2 x 1 1/2 inches
Edition of 50 with 4 APs
With original black plexiglas base, with the artist's incised initials and stamp-numbered from edition of 50 on the bottom edge.

Published by the International Collectors Society, New York to commemorate the 50th anniversaries of International Airmail service and the United States Airmail service
Fabricators: Medallic Art Company, New York (cast); Robert Kulicke (plexiglas base)

Literature
M. Corlett, The Prints of Roy Lichtenstein: A Catalogue Raisonne 1948-1993, New York, 1994, pg 27.

Full documentation: Roy Lichtenstein Foundation

Inquire 

In 1968, the International Collectors Society of New York commissioned the artist to create this editioned sculpture to commemorate the 50th anniversary of both the United States Airmail Service (1968) and United States International Airmail Service (1969).

ROY LICHTENSTEIN AIRMAIL

In 1968, the International Collectors Society of New York commissioned the artist to create this editioned sculpture to commemorate the 50th anniversary of both the United States Airmail Service (1968) and United States International Airmail Service (1969).

Each cast came with a certificate of authenticity from the International Collectors Society. Roy Lichtenstein Salute to Airmail (Study)

1968

Roy Lichtenstein Salute to Airmail (Study) 1968

The artist produced two 17-inch plaster maquettes depicting in high relief the Empire State Building, an airmail plane in flight and other Art Deco symbols (per an undated letter from the President of the International Collectors Society, New York, to its members, RLF Archives); these were used to devise a mold for the reduced-sized tabletop sculpture. More than half of the edition was cast in three metals in 1969 with the balance done with the artist’s permission in 1986 by James Goodman Gallery, New York.