Deposit, 1975

color screenprint with hand additions with pochoir on Arches cover paper
paper: 30 x 22 3/16 inches
frame: 31 1/2 x 24 inches
Edition of 200 plus 25 AP's and 25 HC's
signed, dated and numbered "Robert Rauschenberg" in pencil
published by APC Editions, division of Chermayeff & Geismar Associates, Inc., New York (and underwritten by Mobil Oil Corporation)
printed by Styria Studio, Inc., New York

Provenance
Christo and Jeanne-Claude Collection
Private Collection, New York

Exhibited
Japan, Shimane Art Museum, "Paris--New York; Modern Paintings in 19th and 20th Century Master Works from the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York," March 7-May 11, 2008, another impression exhibited
Japan, Ishibashi Museum of Art, "Paris--New York; Modern Paintings in 19th and 20th Century Master Works from the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York," May 17-July 20, 2008, another impression exhibited
Japan, Yamagata Museum of Art, "Paris--New York; Modern Paintings in 19th and 20th Century Master Works from the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York," July 30-August 31, 2008, another impression exhibited
Japan. Fuchu Art Museum, "Paris--New York; Modern Paintings in 19th and 20th Century Master Works from the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York," September 6-November 3, 2008, another impression exhibited
Japan, Miyazaki Prefectural Art Museum, "Paris--New York; Modern Paintings in 19th and 20th Century Master Works from the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York," November 14-December 14, 2008, another impression exhibited

Selected Museum Collections
Albright Knox Museum, Buffalo, NY
National Gallery of Art, Washington D.C.
Irish Museum of Modern Art, Dublin
Indianapolis Museum of Art, Indianapolis
Longview Museum of Fine Arts, Longview
Frances Lehman Loeb Art Center, Poughkeepsie
The Museum of Modern Art, New York
The Hyde Collection, Glens Falls

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Additional Photos

Art often serves as a reflection of the time in which it was created and few artists encapsulated the spirit of their era as effectively as Robert Rauschenberg. His 1975 work, Deposit from America: The Third Century, is a captivating piece that invites viewers to consider the complex interplay between art, technologyand the evolving identity of America in the 20th century.

ROBERT RAUSCHENBERG DEPOSIT

Art often serves as a reflection of the time in which it was created and few artists encapsulated the spirit of their era as effectively as Robert Rauschenberg. His 1975 work, Deposit from America: The Third Century, is a captivating piece that invites viewers to consider the complex interplay between art, technology and the evolving identity of America in the 20th century.

Robert Rauschenberg, an American artist known for his contributions to the Pop Art and Neo-Dada movements, was a true innovator in the world of contemporary art. Born in 1925, Rauschenberg's artistic journey spanned several decades and left an indelible mark on the art world. His work often defied traditional categorization, blurring the lines between painting, sculpture and technology. Rauschenberg's exploration of art's relationship with mass media and popular culture was groundbreaking and led to his renowned "Combine" series, where he integrated found objects and materials into his artwork.

This particular artwork, Deposit from America: The Third Century is a screenprint with hand additions from a larger portfolio of lithographs. It was created in 1975, a period of significant cultural and technological change in the United States. The work reflects the nation's bicentennial celebrations in 1976 and serves as a testament to Rauschenberg's fascination with the rapidly evolving American identity.

The combination of screenprinting and hand additions in Deposit from America: The Third Century showcases Rauschenberg's versatility as an artist. The screenprinting technique, in which ink is forced through a mesh screen to create an image, was combined with hand additions, demonstrating his tactile approach to art. This blending of traditional and modern methods mirrors the dynamic era in which the work was produced.

The composition and sheet dimensions of 30 x 22 3/16 inches allow for an intimate engagement with the artwork. Its manageable size invites viewers to scrutinize the intricate details, which are typical of Rauschenberg's work. Deposit from America: The Third Century is part of an edition of 200, making it both accessible and collectible for art enthusiasts.

The work was published by APC Editions and printed by Styria Studio, Inc., located in New York. These collaborations with reputable publishers and printers highlight the significance of this artwork within Rauschenberg's oeuvre.

The bicentennial celebration of America's independence in 1976 was a defining moment in the nation's history. It was a time of reflection and anticipation, with people looking back on the achievements of the past and looking forward to the future. Rauschenberg's Deposit from America: The Third Century encapsulates this spirit by using a mix of imagery and symbolism to evoke the essence of America.

Deposit from America: The Third Century by Robert Rauschenberg is a testament to the artist's ability to capture the essence of an era through innovative techniques and a profound understanding of the American identity. As viewers engage with this work, they are invited to reflect on the past, present and future of a nation in a state of constant transformation. Robert Rauschenberg's ability to convey the complex layers of American culture in a single artwork showcases his status as a true visionary in the world of contemporary art.

Deposit

Deposit, 1975

Additional Photos

ROBERT RAUSCHENBERG DEPOSIT

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