Jean-Michel Basquiat

Jean-Michel Basquiat, an American with a Haitian father, gained recognition as an artist in the 1980s. His rise to prominence was swift but his career was cut short.

JEAN-MICHEL BASQUIAT

Jean-Michel Basquiat, an American with a Haitian father, gained recognition as an artist in the 1980s. His rise to prominence was swift but his career was cut short.

Between 1977 and 1980 he was a graffiti artist, tagging his mysterious, subversive messages with the name SAMO©. By 1980 he was frequenting artists such as Andy Warhol, Keith Haring and Francesco Clementeand abandoned graffiti for painting. Buoyed by the energy of hip hop with its sampling, scratching and DJ culture, his practice drew on many influences such as Picasso, Penck, Schwitters, Dubuffet as well as Cobra movement, jazz and voodoo. His frame of reference expanded to include history and global literature, from Homer to Napoleon and Malcolm X. His style was characterised by a bold and sparing colour paletteand the use of symbols such as the crown and skull, as well as numbers and scientific formulas. Like palimpsests, his works feature layers of drawing, scratches, painting, collages of photocopies and objects. The chaotic complexity of his compositions reveals a spontaneous exuberance and a mastery of different materials and techniques, from acrylic to screen-printing, markers to sprays.

Jean-Michel Basquiat Lye — Jean-Michel Basquiat
Lye
1983

Jean-Michel Basquiat The Banker — Jean-Michel Basquiat
The Banker
1982

Jean-Michel Basquiat The Warrior — Jean-Michel Basquiat
The Warrior
1982

Jean-Michel Basquiat, an American with a Haitian father, gained recognition as an artist in the 1980s. His rise to prominence was swift but his career was cut short.

JEAN-MICHEL BASQUIAT

Lye

The Banker

The Warrior

Untitled