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Jasper Johns
Jasper Johns

Winter (ULAE 248)

15 x 11 inches
Jasper Johns

Winter (ULAE 248), 1989

lithograph, two aluminum plates on St. Armand paper
image: 9 ½ x 6 ½ inches
paper: 15 x 11 inches
frame: 15 3/4 x 12 3/8 inches
edition: 34 with 7 AP's, 2 PP's, 18 HC's and 7 TP's
signed & dated in pencil "J Johns '86-89'" lower right numbered in pencil lower left
published by Universal Limited Art Editions, West Islip, New York, with their blindstamp
printed by Douglas Volle, Keith Brintzenhofe
© 2024 Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), NY

Literature
Richard Field, The Prints of Jasper Johns 1960-1993: A Catalogue Raisonne, ULAE, New York, 1994, Catalogue Reference ULAE 248, n.p., another impression reproduced in full-page color.
Roberta Bernstein, Jasper Johns: The Seasons, 1991, Brooke Alexander Editions, no. 50, pg. 48, another impression reproduced in full-page color.
Joan Rothfuss, Past Things and Present: Jasper Johns since 1983, Walker Art Center, Minnesota, 2003, p. 71, another impression reproduced in full-page color. Blazwick Iwona, Jasper Johns: Shadow and Substance, Whitechapel Gallery, London, 2013, pg. 34, another impression reproduced.

Exhibited
Whitney Museum of America Art, New York, Jasper Johns, October 18, 1977-January 22, 1978, another impression exhibited.
Walker Art Center, Minneapolis, Past Things and Present: Jasper Johns since 1983, November 9, 2003-February 14, 2004, another impression exhibited.
Greenville County Museum of Art, Greenville, Past Things and Present: Jasper Johns since 1983, Mar. 7-May 30, 2004, another impression exhibited.
Scottish National Gallery of Modern Art, Edinburgh, Past Things and Present: Jasper Johns since 1983, July 10-September 19, 2004, another impression exhibited.
Institut Valencià d’Art Modern, Valencia, Past Things and Present: Jasper Johns since 1983, October 7, 2004–January. 2, 2005, another impression exhibited.

Selected Museum Collections
Museum of Modern Art, New York
Walker Art Center, Minneapolis
National Gallery of Art, Washington, D.C.

Inquire 

Jasper Johns Winter (ULAE 248), 1989, lithograph on paper, is an image from the Artist's important Seasons series, an autobiographical reflection of the Artist’s Life. Jasper Johns "assembled artifacts and autobiographical imagery from his career to narrate the cycles of life. Inspired by Pablo Picasso's painting The Shadow, 1953, Jasper Johns Winter (ULAE 248), 1989, incorporates the "self-portrait" shadow, which also recurs in each of Jasper Johns Seasons encaustic on canvas paintings, Spring, Summer, Winter and Fall.

JASPER JOHNS WINTER
FROM THE IMPORTANT SEASONS SERIES

Jasper Johns Winter (ULAE 248), 1989, lithograph on paper, is an image from the Artist's important Seasons series, an autobiographical reflection of the Artist’s Life. Jasper Johns "assembled artifacts and autobiographical imagery from his career to narrate the cycles of life. Inspired by Pablo Picasso's painting The Shadow, 1953, Jasper Johns Winter (ULAE 248), 1989, incorporates the "self-portrait" shadow, which also recurs in each of Jasper Johns Seasons encaustic on canvas paintings, Spring, Summer, Winter and Fall.

Jasper Johns with Seasons and George Ohr pottery, 1989

Jasper Johns with Seasons & George E. Ohr pottery, 1989

Specifically, the Jasper Johns Seasons series includes key symbols and autobiographical iconography created by the Artist including his repeated use of the red, white and blue American Flag, the Mona Lisa, George Ohr Pottery, the Royal Silhouette Vase manufactured in Germany in 1977 for the Silver Jubilee of Queen Elizabeth as well as the Artist's homage to Pablo Picasso.

Jasper Johns, arguably the most important living Post War and Contemporary Artist, established an all-time Auction World Record for the Artist November 2014, when Jasper Johns' $36 million at Sotheby's, New York. Jasper Johns holds the all-time world record for a Post War and Contemporary limited edition print by a living artist, when Jasper Johns Flags I, 1973 (ULAE 128), a color screenprint from an edition of 65 impressions fetched $1,658,500 at Christie's New York, April 26, 2016, doubling the low pre-sale estimate of $800,000 to $1,200,000.

Jasper Johns Winter
Jasper Johns
Winter (from The Seasons), 1986, encaustic on canvas
Private Collection

This is an opportunity to purchase a well-priced superb signed, dated and numbered limited edition created in an edition of only 34 impressions by the greatest living printmaker.

The condition of Jasper Johns prints plays a pivotal role in preserving the integrity and value of these artworks. The presence of mat staining, fox marks, and attenuated colors can significantly impact the overall aesthetic and historical integrity of these artworks. When considering a purchase of a Jasper Johns print, it is crucial to be wary of dealers who claim prints are in good condition despite such issues, as this may be a deliberate attempt to mislead buyers. Transparency is imperative in the art market and dealers who purposefully omit condition details are not acting in the best interest of the collector. It is also advisable to avoid dealers who artificially enhance colors in photos, distorting the true condition of the artwork. Choosing dealers who provide accurate representations, even if it reveals imperfections, ensures that buyers make well-informed decisions, maintaining the authenticity and value of Jasper Johns prints over time.


 

 

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