Hiroshi Sugimoto
Hiroshi Sugimoto
Hover to zoom
Hiroshi Sugimoto
Hiroshi Sugimoto

UA Walker

17 x 21 inches
Hiroshi Sugimoto

U.A. Walker, New York, 1978

Hand signed photogravure
paper size: 17 x 21 inches
image size: 11 3/4 x 14 3/4 inches
Edition: 1,000
Printed on acid-free BFA Paper
Hand signed in pencil by Hiroshi Sugimoto lower right recto
Specific numbered impression of 1,000 printed on white card
Published by Sonnabend Sundell Editions and Eyestorm, 2000

Inquire 

Sugimoto's U.A. Walker, New York, 1978 signed Limited Edition Photogravure is particularly effective due to the quality of the photogravure process, making it a superb value.

HIROSHI SUGIMOTO THEATERS

Sugimoto's U.A. Walker, New York, 1978 signed Limited Edition Photogravure is particularly effective due to the quality of the photogravure process, making it a superb value.

Works by Hiroshi Sugimoto continue to attract significant demand as evidenced by the strong high prices at public auction. Sugimoto's Limited Edition Silver Gelatin Photographs usually executed in Editions of 25 consistently realize $20,000-$30,000 at public auction; depending upon the specific impression.

Hiroshi Sugimoto’s theater photographs are a striking exploration of the intersection between art, architectureand time. Captured in his signature style, these images depict the interiors of historic movie theaters, often framed in a way that emphasizes their grandeur and intricacy. Sugimoto’s use of long exposure times allows him to capture the essence of the cinematic experience, transforming these spaces into almost ethereal landscapes. The play of light and shadow in his photographs draws the viewer into a world that feels both nostalgic and timeless, evoking the magic of cinema as a shared cultural experience.

Each photograph serves as a meditation on the passage of time and the fading nature of memory. The empty seats, grand stagesand ornate details of the theaters reflect a bygone era, inviting contemplation about the evolution of film and the spaces that house it. Sugimoto’s choice to photograph these theaters in their unoccupied state creates a poignant sense of absence, prompting viewers to reflect on the stories that once unfolded within these walls. This sense of loss is juxtaposed with the enduring beauty of the architecture, highlighting the tension between permanence and impermanence in our cultural narratives.

Moreover, Sugimoto’s work invites a dialogue about the role of film in society. By showcasing these historical theaters, he encourages viewers to consider how the cinematic experience has shaped communal identities and personal memories. His photographs transcend mere documentation; they become a form of artistic preservation, capturing not just the physical spaces but also the emotional resonance they hold. In a digital age where cinema is increasingly consumed in isolation, Sugimoto’s theater photographs serve as a reminder of the collective magic that occurs when we gather in shared spaces to experience stories together.