Electric Chair
(F&S II. 83), 1971

Color screenprint on paper
35 1/2 x 48 inches
Edition of 250
Signed "Andy Warhol" by the artist in ball-point pen and numbered with a rubber stamp on verso
Printed by Silkprint Kettner, Zurich, Switzerland
Published by Bruno Bischofberger, Zurich, Switzerland

Literature
Frayda Feldman and Jorg Schellmann, Andy Warhol Prints: A Catalogue Raisonne: 1962-1987, Fourth Edition, D.A.P., New York, 2003, Catalogue Reference F&S II. 83, another impression reproduced page 79 in color.

Andy Warhol Electric Chair (F&S II. 83), 1971

Andy Warhol Apple Trial Proof in Unique Color Combination

Andy Warhol had extraordinary vision when he created the now popular 1985 Apple Screenprint, from the Ads Portfolio of 10, since many people questioned if Apple Computer, as it was then known, would survive.

As a result of poor market share, Steve Jobs, one of two Apple founders, was ousted in 1985; Jobs returned in 1996 when Apple instilled its new corporate culture to "create recognizable products". Good news for Warhol, the Apple logo never changed; today, it is one of the most recognizable logos in the world.

This stunning Andy Warhol Unique Color Apple Screenprint is one of 30 impressions, hand signed & numbered in pencil Trial Proofs, each in a unique color combination. Essentially, the process is the same for unique Apple Screenprints as it is for Apple Works on canvas; the only difference is this is on Lenox Museum Board.

The Apple Unique Color TP Screenprint that Joseph K. Levene Fine Art, Ltd. is offering for sale is one of thirty TP's documented in Feldman and Schellmann's, Andy Warhol Prints: A Catalogue Raisonne. For reference, another unique example from the signed & numbered edition of 30 fetched $162,500 at public auction in Dallas.

Sharp eyes will recognize Art Sellers who APPEAR to sell unique TP's, but are actually UNNUMBERED AP's; to be legit, these impressions must be stamped "Authenticated" along with stamps from The Andy Warhol Foundation For the Arts, and/or The Estate of Andy Warhol as the legend "outside the regular numbered edition". From a desirablilty standpoint, a signed and numbered Apple Screenprint is dramatically more valueable than an unsigned version not referenced in Feldman and Schellmann.